E. Doctor Smith's Blog

Tohpati is one of most exciting guitarists to emerge from Indonesia, and for his third release on the MoonJune Record label, (following 2010's "Ethnomission, "Save The Planet", and 2012's "Bertiga", and "Riot", Tohpati is joined by two other renowned maestros; bassist Jimmy Haslip and drummer Chad Wackerman who appeared together on the Allan Holdsworth- Alan Pasqua "Blues For Tony" project. The result is an album of "brilliantly conceived and executed music, evidenced by a wellspring of inspired interplay, a delightful chemistry and bursts of intense, spontaneous genius." "On Tribal Dance, there's no shortage of Tohpati's trademark breathtaking, acrobatic axe-wielding. Towering power chords, distorted spare-note lead lines, unexpected machine gun-blasting sonic assaults, chugging rhythmic grooves, and even a host of elegantly-nuanced jazz phrasings, are all in attendance -- summoned at will, and in omnipotent f...

The Lords of Outland will release The Proceedings of Dr. Ké on April 22, 2014 the group’s 12th recording. To celebrate the release and their 20th Anniversary, Lords of Outland will perform at the Outsound’s Flagship SIMM Series at the Musicians Union Hall in San Francisco, starting at 7:30pm on Sunday, April 27. Tickets are $10, and will be available at the Door the night of the concert. Saxophonist, composer Rent Romus started the Lords of Outland in 1994 a collective of like-minded musicians focusing on exploring improvisation, melody, noise, and sound art while acknowledging their jazz, rock, and blues roots. Under Romus’ direction the collective has developed original music ranging from unhinged guttural free improvisation to thematic suites inspired by abstract and socio-political prose, poetry, science fiction, and horror. Performing artists will include a cross section of past and current roster members: Dave Mihaly - drums, Bill Noertker - bass, Philip Everett - drums, Ray Sche...

In a legendary career spanning more than half a century, saxophonist Wayne Shorter just keeps getting better and bolder. Indeed, his longevity as a creative force isn’t as astounding as the fact that he’s spent the past decade leading his most prodigious and consequential band. At 80, Shorter often appears as the calm center of a roiling maelstrom, a mystical presence exulting in the improvisational lightning strikes emanating from pianist Danilo Perez, bassist John Patitucci, and drummer Brian Blade, all virtuosos and bandleaders in their own right. Of course, the quartet is fueled by music from jazz’s most influential composer after Thelonious Monk, still keen to venture into uncharted territory. Shorter’s new Blue Note album, Without a Net, is his first for the label in over four decades and is an astounding document of an artist reaching and exploring, still very much at the peak of his powers. The session netted Shorter 2013 DownBeat magazine Critics Poll wins for Jazz Album, Jazz...

One of the world's best percussionists is the Englishman Simon Phillips; an ambidextrous drummer who follows in the footsteps of jazz greats Billy Cobham and Lenny White who helped to popularize that musical approach. Phillip's first came to this writer's attention via his work with Brian Eno and Phil Mazenera's group "801", and later, Peter Townsend and the Who. Phillips has continued to perform and record with a who's who of the musical world; he makes his return to the Bay area later this month, supporting Hiromi and Anthony Jackson in a sold out show at the SF Jazz Center of Franklin, before returning to Yoshi's in Oakland on April 1st with his own group, "Protocol II"- a sequel to his first solo group of the same name. Readers of my previous column will recall Hiromi 's spectacular show at the newly minted SF Jazz Center last year; her return on March with Jackson and Phillips shouldn't disappoint fans either. Fourteen years ago,...

After several recent tours around the U.S. and Europe, the musical duo of keyboardist Brad Mehldau and drummer Mark Guiliana, aka "Mehliana", have at long last released and album of their improvisational and inspiring music. Their debut effort is entitled, "Taming the Dragon", a collection of some of their best forays that will be familiar to fans of their live shows, as well as some material not heard or seen live. Mehliana's use of vintage synthesizers, and their incredible grasp of both jazz and modern electronica is a joy to witness live, (They performed at both SF Jazz and the Independant recently); happily, their new album captures those moments and more. Released on the Nonesuch Record label, Taming the Dragon's origins were revealed, "Mehldau and Guiliana have been performing for several years, with Mehldau playing Fender Rhodes and synthesizers and Guiliana on drums and effects, as they are on the record. Mehliana comprises 12 original tunes...

Two of the Bay Area's best musicians have joined forces in a most fabulous duet, quite unlike any I have ever heard. A fantastic bassoonist, Paul Hanson first came to my attention while touring with Bela Fleck and the Flecktones, and performing alongside the legendary Paul McCandless of Oregon and saxophonist Jeff Coffin; their work as a trio simply had to be seen to be believed. No one plays the bassoon like Hanson; his dexterity and marvelous use of effects was nothing short of brilliant. Bassist Ariane Cap is of course no stranger to this writer; as she's honed her skills at the elbows of such bass luminaries as the virtuoso Victor Wooten of the aforementioned Flecktones, the incomparable Kai Eckhardt, and one of the founders of the Bay Area's solo bass scene, the one and only Michael Manring. Together, Hanson and Cap have created the duo known as "OoN, a unique blend of fresh sounds at times meditative and peaceful at times passionate, raging and distorted; always ...

The legendary Pete Seeger left us this week, leaving behind an amazing legacy of music and activism. " Dubbed "America's tuning fork" by poet Carl Sandburg, the banjo-player left behind folk classics like "Where Have All the Flowers Gone," "If I Had a Hammer," "Turn! Turn! Turn!" and "We Shall Overcome." Many will associate him with the 1960s, a decade of profound social and political change, when young Americans took to the streets to condemn the Vietnam war and demand civil rights for all races…" I was fortunate to work with him once, for a performance for WETA in Virginia back in 2000, when Seeger was a mere 81 years old. For this performance, Seeger was joined by his grandson Tao Rodriguez-Seeger; a very popular duo in those days. Seeger entered the theater early afternoon, perhaps a little slower and older, yet remarkably energetic. I offered him a beer, a tour of the theater; and he gladly accepted. I reminded him th...