E. Doctor Smith's Blog

Many years ago, I had the pleasure of seeing the Toshiko Akiyoshi/Lew Tabakin big band, and this weekend, you too will have a chance to see this legendary musician in the most intimate of settings. This Saturday afternoon’s SFJAZZ Members-only concert provides just that, presenting a solo recital of renowned big band arranger and pianist Toshiko Akiyoshi at the exquisite Florence Gould Theatre. Akiyoshi’s history as a jazz pianist dates back to the late ‘40s in Japan. The postwar era in full swing, young Akiyoshi had no trouble finding piano gigs at the many nightclubs catering to American soldiers. A chance encounter with Oscar Peterson, touring Japan with the famed Jazz at the Philharmonic band, garnered her a record date with Verve Records impresario Norman Granz. Soon after she enrolled as the first-ever Japanese student to study jazz at the Berklee School of Music in Boston, where she pursued her nascent interest in composition. Her first marriage to alto saxophonist

One of the true immortals of 20th-century jazz, the legendary “Saxophone Colossus,” Sonny Rollins, continues to amaze fans and critics alike in jazz’s second century. In the words of critic Gary Giddins: “Rollins looms as an invincible presence after fifty years: one of the most cunning, surprising, and original of jazz visionaries and one of the very few musicians whose (infrequent) concert appearances and recordings generate intense expectations and heated postmortems.” Rollins returns to the SF Jazz Festival on the heels of his first studio CD in five years, "Sonny, Please". Jazz reviewer Jim McElroy wrote of Rollin's latest effort, "Rollins has a new label and a new recording and those of us who love to listen to jazz can now rejoice for in all the world there is but one Sonny Rollins, and on Sonny, Please, he proves he is still at the top of his game. From the very first song, the title track "Sonny, Please", Rollins and his group are off