Simon Phillips Comes to SF Jazz and Yoshi's

One of the world's best percussionists is the Englishman Simon Phillips; an ambidextrous drummer who follows in the footsteps of jazz greats Billy Cobham and Lenny White who helped to popularize that musical approach. Phillip's first came to this writer's attention via his work with Brian Eno and Phil Mazenera's group "801", and later, Peter Townsend and the Who. Phillips has continued to perform and record with a who's who of the musical world; he makes his return to the Bay area later this month, supporting Hiromi and Anthony Jackson in a sold out show at the SF Jazz Center of Franklin, before returning to Yoshi's in Oakland on April 1st with his own group, "Protocol II"- a sequel to his first solo group of the same name.

Readers of my previous column will recall Hiromi's spectacular show at the newly minted SF Jazz Center last year; her return on March with Jackson and Phillips shouldn't disappoint fans either. Fourteen years ago, Phillips released the first Protocol album, and he deemed it was the "right time to record something new..." 

"I had been writing and recording some material over the last few years but was not excited enough with the outcome. I wanted to do something very live and organic so as the NAMM show was coming up in January I was hoping that perhaps Andy Timmons would be attending. I called him and put my idea to him and he was way up for it and changed his plans to stay in LA a few more days. My next call was to Steve Weingart as, having worked with him on his last two solo CDs, I had formed a wonderful working relationship with him. He was also very excited by the project. Next was the question of who should take the seat of holding down those low notes. I had heard a lot about Ernest Tibbs and had spoken to him a few years earlier about some live shows, which he could not make. I gave him a call and he was also way up for it. So I booked time at Phantom Recordings – a week after the NAMM show – to see what we could do..."


"I had a bunch of demos ranging from ideas to complete compositions that I was not totally sure they were the direction I wanted to go in so I compiled those and sent MP3s to Andy, Steve and Ernest. My concept was that we would write in the studio and if any parts of these tunes worked we could use them. I was curious and eager to get playing to see how the chemistry of the four of us would work. The first tune we recorded was “Moments of Fortune” and I knew immediately this was a great band – great chemistry – a deep pocket and a relentless supply of musicality..."

"As it turned out most of the compositions were usable and only a few sections were omitted. We arranged the tunes on the fly and everyone contributed and it made for some very organic and vibe-y music. The days were long and tiring but the energy and creativity were amazing. We played live and only a few repairs, punches and overdubs were done.

As we were recording this felt to me as though the Protocol concept was coming full circle and it was also 25 years since I released my first solo effort so it seemed perfect to be titled Protocol II. This project was a joy to work on and I want to thank Andy, Steve and Ernest for their wonderful energy, groove and improvisation captured on this recording...."


Here are two clips of Phillips with Hiromi and Protocol II...

Comments

Post a Comment

Popular posts from this blog

Building Bill Bruford's Symmetrical Tama Kit

Image
In two of my previous blogs, I wrote about successfully restoring a Tama "Bill Bruford Signature Series Palette" snare drum , and then building a duplicate version wrapped in chrome . Although they looked and sounded great, I thought about completing this project by adding a kit to go with it. Now I suppose I could always could buy a Tama Starclassic kit, and use the snares I built, but where is the fun in that? Bruford's Signature snare drum had all black Tama lugs, just like his Tama kit with King Crimson. That particular kit was a Canary Yellow Tama with deep power toms. Bruford would reappear with a another version of that yellow kit at the 1999 Modern Drummer Festival alongside his all acoustic Earthworks band. That kit also had black lugs, and featured an 18" kick drum, 16", 13", 12" and 10" toms. That kit appeared to be a rarity, perhaps even custom-made for Bruford. I've never seen another Tama kit that matched it. If I could gather
Read more

Building the Phil Collins Gretsch Kit - Part One

Image
Back in 2017, I managed to acquire a dozen of the revolutionary new wireless Versatriggers from Poland; Battery powered drum triggers you can mount inside a drum shell. Replace the acoustic drum head with a mesh head and you have yourself a v-drum. I first tried out the Versatrigger on an old Viking snare I'd converted previously with an internal Pintech trigger, and a Remo Silent Stroke mesh head. After connecting the Versatrigger wireless USB hub to my MacBook Air, I was able to tweak the sensitivity and trigger the drum surprisingly well. I also learned I needed to be able to access the trigger for adjustments and battery replacement, so double headed toms weren't practical. The kick and snare are easy enough to cut out a round hole in the bottom head, but the toms would have to be easy to access as well. A modest kit with concert toms would work perfectly. I didn't want to build just another small v-drum kit of virtually identical trigger pads either, so when
Read more

Building the Bill Bruford Signature Snare - Part One

Image
Bill Bruford's "rimshot" is one of the most unique and exquisite snare drum sounds ever heard. From his earlier days on his 14"x 5.5" Ludwig Supraphonic Super-Sensitive snare with Yes, to his brass 14" x 6.5" Tama Big Beat snare with King Crimson, Bruford's crisp rolls and sticking technique were a thing of beauty and a joy to behold.  In his later years, Bruford moved away from the metal snare drums of rock, to the jazzier sound of the all-maple 14"x 6.5" Tama Starclassic snare drum with his all-acoustic group Earthworks.  It was during that era that Tama offered the "Bill Bruford Signature Palette Series" snare drum, a customized, 6 ply Starclassic; 2 ply Maple, 2 ply Birch and 2 ply Maple. It was also outfitted with all black hardware; lugs, hoops, strainer and a custom "Black Metallic Sand Blasted" finish, with Bill Bruford's personally autographed and numbered decal. Listing for around $650, the snare quic
Read more