E. Doctor Smith's Blog

Fans of the legendary saxophonist Sonny Rollins should enjoy the sounds of the Wilbur Rehmann Quartet: Special Edition, performing this Friday night at the Sheba Lounge on Fillmore. An accomplished alto, tenor and soprano saxophonist, Rehmann is considered one of the "elder statesmen of jazz" in his native Montana, and for his annual SF performance, he will be joined by pianist, composer Nora Maki, 7 string bass virtuoso Edo Castro, and BeyondChron's very own E. "Doc" Smith, on Zendrum. Rehmann's "Special Edition" quartet is primarily an electric group that will be performing some of the music made famous by his friend and mentor Rollins, as well as the likes of John Coltrane, Thelonius Monk, Miles Davis, Horace Silver, Antonio Carlos Jobim, and originals by both Smith and Castro. A frequent visitor to the Bay Area, Rehmann's return has been a long time coming, and most welcome. Rehmann, grew up in Burlington, Iowa listening to the last of the

Last week's column looked at the premiere of Netflix' "House of Cards", and the American penchant for  remakes of British television shows with at best,  mixed results. Kevin Spacey was brilliant by the way, in the darker and grittier remake of HOC, but once again, the story changed considerably from the original BBC series; new characters were added, and the writers were surprisingly able at times, to effectively translate it to American audiences. Netflix now looks to follow through on a sequel, which could be a re-make of the second part of the HOC trilogy, "To Play the King". Although the newer version lacked the subtlety and the government-shaking gravitas of the original, the acting by Spacey and his cast, the DC and Baltimore cinematography, and the music by Jeff Beal was enjoyable. Our American obsession with remakes isn't limited to just England or earlier made films. Oh no, many American filmmakers have tried their hands at updated remakes of c

One of the most formidable fretless electric bassists in the post-Jaco Pastorius era, Texas native and current Barcelona resident Gary Willis joins forces with Catalan keyboardist Albert Bover and Budapest-born drummer Gergo Borlai on this exhilarating take on the electric piano trio. Co-founder (with guitarist Scott Henderson) of the premiere fusion band Tribal Tech and former member of Wayne Shorter’s band, Willis and his highly interactive crew shift deftly from slamming funk (“Old School”) to percolating fusion (“Disconnectivity”) to aggressive swingers (“Change Agent,” ”Move”) while embracing quiet ballads (Paul McCandless’ “Amaryllis,” Milton Nascimento’s evocative “Tarde” or Willis’ aptly-titled “Dream”) with uncommon sensitivity and a lyrical touch. They also turn in expressive interpretations of the Lennon-McCartney classic “Norwegian Wood” and Bill Evans’ “We Will Meet Again.” And the album closes on a poignant note with Willis’ tasty, subtly reharmonized rendition of the Dep