E. Doctor Smith's Blog

Each week, I get a ton of email about music, films, theater and gallery openings. So many in fact, I can't possibly read them all. Once in a while however, I'll get one that intrigues me and just I have to delve deeper. This week, it's the NYC Experimental/Neo Classical artist Kelli Rudick. I'm always amazed by women who are phenomenal instrumentalists and after watching her You Tube videos, Kelli proved she is the real deal. I must credit Adam Baer for sending me the following info on Kelli, who will be playing new material as well as works from her first album at upcoming live performances across the US this Spring and here in San Francisco, where she will headline a stellar line-up of thoughtfully virtuosic musicians at Amnesia in the Mission on June 11th. Ahead of the curve of New York's burgeoning multi-genre intermix, Kelli's show will feature her virtuosic, complex and inimitable solo guitar work, as well as a one woman sonic immersion create

One of the best singers I have ever heard, (and I've heard a lot of them) is the extraordinary Rachelle Farrell. Though she is largely obscure outside of jazz circles (particularly those connected to the festival circuit), Rachelle Ferrell is unquestionably one of the most dynamic talents in contemporary pop music. Very few vocal artists in the industry have Ferrell's potent combination of range, phrasing, and musicianship (she is also and accomplished pianist). Such potency was made powerfully aware to Blue Note Record's head Bruce Lundvall who first heard Ferrell on a demo tape (while driving to the supermarket) and signed her shortly thereafter in 1990 after seeing her perform in Germantown, Pennsylvania. So impressed was Lundvall with her talents, that he signed Ferrell to both the Blue Note Label and the Capitol Label allowing her to funnel her talents through the prism of traditional jazz and R&B. In short, Rachelle Ferrell's talents transcend ge