E. Doctor Smith's Blog

In my previous post, I examined using the Zendrum EXP with MIDI Foot Controllers, specifically the Behringer FCB1010. Once I got past a byzantine learning curve, I was able to effortlessly control MIDI volume, program changes and the like. It was time to turn my attention to the world of Looper Foot Controllers.  Many of the musicians I've worked with are masters of these loopers, and pedal boards; Lexicon, Digitech, Boss and Roland. Their ability to build songs on the fly and in real time was both amazing and daunting.  They are not for the squeamish and if not played correctly, can be an unforgiving and unmitigated disaster. That's perhaps the biggest reason I shied away from them, and instead invested my time and energy in one shot samplers, like the Akai S2000. In the old days, I'd load my pre-recorded samples into the Akai with an Iomega Zip drive, and trigger the sample from my original instrument, the Drummstick, and later the Zendrum ZX. With the arrival of the

I'm psyched to be starting off 2019 with new projects, like John Wubbenhorst's Facing East with Tom Canning and Steve Zerlin; and Jason Everett's Deep Energy Orchestra with Trey Gunn, Fareed Haque, Radhika Iyer, Phil Hirschi, Rachel Nesvig, Aleida Gehrels and Chaz Hastings! Playing with these great musicians requires not only lots of shedding, but also updating my live Zendrum set-up with some new gear. Gone are the days when I needed a rack full of gear, like an Alesis D4, Alesis DM Pro, Akai S2000 Sampler, and effects like Yamaha Rev 100 or Alesis MIDIverb, and a Mackie line mixer. The modules soon gave way to laptops, stocked with VSTs, and the gear has gotten smaller, like the new Zendrum Stompblock. The iPad Pro has supplanted my MacBook Pro and MacBook Air, and the new keyboard amps that come with built in EQ and effects have all but replaced all those heavy, powered speakers and rack mounted mixers. The newest addition to my set-ups are MIDI foot controllers