E. Doctor Smith's Blog

San Francisco is home to some of the most interesting politicians, musicians and artists I have ever seen. I was surprised to find out that these talented folks include the likes of past and present SF Board of Supervisor Presidents Matt Gonzalez, (bassist) & David Chiu, (violinist); Public Defender Jeff Adachi, (guitarist and filmmaker), the Sierra Club's John Rizzo, (guitarist) & Arthur Feinstein, (saxophonist), Port of SF's Rich Berman & Mission activist Eric Quezada, (saxophonists), activist Judy B. Onze, (singer), Fog City Journal's Luke Thomas, (guitarist), OVC's Brent Turner, (guitarist), BMW&L's Mark Mosher, (guitarist) and Beyond Chron's own Paul Hogarth, (pianist), just to name a few. Add Brightline Defence's Joshua Arce, (singer, songwriter, guitarist) and his band "Addison" to this eclectic mix. During the day, Arce is doing battle as an attorney and activist with PG&E, Cal ISO, and championing the cause

Last Tuesday evening on KPOO fm's "The Community Worker", I had the pleasure of interviewing acclaimed actor and producer Danny Glover and Dan Sturman , director, producer of the Oscar hopeful documentary "Soundtrack for a Revolution". Also joining us for the discussion was Jackie Wright, president of Wright Enterprises on the upcoming screening of the film at Third Baptist Church on Dr. Martin Luther King's Birthday this Friday, January 15th. They've also unearthed some new, never seen before footage for this documentary. "Soundtrack for a Revolution" tells the story of the American civil rights movement through its powerful music -the freedom songs protesters sang on picket lines, in mass meetings, in paddy wagons, and in jail cells as they fought for justice and equality. Directors Sturman and two-time Oscar winner Bill Guttentag (co-directors of 1997's "Nanking"), pair provocative vintage footage with emotional inte

In July of 2005, I wrote about Neeta Ragoowansi, a fabulous singer, musician, and a former entertainment attorney for the Kennedy Center. Neeta continues to use her powers for good, working as the Membership Director of SoundExchange, a nonprofit agency based in Washington, D.C. and authorized by the U.S. Copyright Office to collect royalties from digital broadcasters and pay them directly to performing artists. Founded in 2000 and initially part of the Recording Industry Association of America, SoundExchange made its first payments in 2001 and, after a slow beginning, has begun to double its annual collections. Recently, SoundExchange had come under fire for not doing enough to find those musicians, and see to it they get what they derserve. Those detractors couldn't be more wrong, as the Bakersfield Californian's Robert Price found out. Sound Exchange continues to find artists and their families, and for those that can't be found, their royalties reside in