E. Doctor Smith's Blog

This Sunday night, I'll be enjoying my birthday dinner at the new Yoshi's on Fillmore, seeing one of the greatest musicians of al time, the incredible Taj Mahal and his Phantom Blues Band. Taj has been playing his own distinctive brand of music -- variously described as Afro-Caribbean blues, folk-world-blues, hula blues, folk-funk, and a host of other hyphenations -- for more than 40 years. Caribbean, Hawaiian, African, Latin, and Cuban sounds and rhythms mix with folk, jazz, zydeco, gospel, rock, pop, soul, and R&B, all layered on top of a solid country blues foundation. What ties it all together is Taj's abiding interest in musical discovery, particularly in tracing many American musical forms back to their roots in Africa and Europe. Following his passion, Taj has spent time in the Caribbean, West Africa, Hawaii, Europe, the South Pacific, Australia, South America, and all over the continental U.S. His music reflects his global perspective, incorporating

Last May, I attended the 2007 edition of the Bath International Music Festival. In addition to being one of England's most beautiful and architectural cities, Bath attracts some of the greatest musicians from around the globe; Mavis Staples & Jazz Jamaica, the electronica of Arthurs & Bown and People Like Us; the folk stylings of Martin Hayes and Dennis Cahill; and the genre crossing Iain Ballamy & Stian Carstensen. My personal favorites however, were the jazz duo of drummer Bill Bruford and pianist Michiel Borstlap. After a high profile and illustrious career as the rock drummer of his generation (with Yes, Genesis and King Crimson), Bruford carved out an equally successful name as a jazz drummer through his jazz-rock ensemble Earthworks. Borstlap is a brilliant pianist, capable of creating solos of dazzling complexity, but also able to employ space and subtlety. Together they adopt a witty, conversational style: the table talk may turn as much to Liszt S