E. Doctor Smith's Blog

After several recent tours around the U.S. and Europe, the musical duo of keyboardist Brad Mehldau and drummer Mark Guiliana, aka "Mehliana", have at long last released and album of their improvisational and inspiring music. Their debut effort is entitled, "Taming the Dragon", a collection of some of their best forays that will be familiar to fans of their live shows, as well as some material not heard or seen live. Mehliana's use of vintage synthesizers, and their incredible grasp of both jazz and modern electronica is a joy to witness live, (They performed at both SF Jazz and the Independant recently); happily, their new album captures those moments and more. Released on the Nonesuch Record label, Taming the Dragon's origins were revealed, "Mehldau and Guiliana have been performing for several years, with Mehldau playing Fender Rhodes and synthesizers and Guiliana on drums and effects, as they are on the record. Mehliana comprises 12 original tunes...

Two of the Bay Area's best musicians have joined forces in a most fabulous duet, quite unlike any I have ever heard. A fantastic bassoonist, Paul Hanson first came to my attention while touring with Bela Fleck and the Flecktones, and performing alongside the legendary Paul McCandless of Oregon and saxophonist Jeff Coffin; their work as a trio simply had to be seen to be believed. No one plays the bassoon like Hanson; his dexterity and marvelous use of effects was nothing short of brilliant. Bassist Ariane Cap is of course no stranger to this writer; as she's honed her skills at the elbows of such bass luminaries as the virtuoso Victor Wooten of the aforementioned Flecktones, the incomparable Kai Eckhardt, and one of the founders of the Bay Area's solo bass scene, the one and only Michael Manring. Together, Hanson and Cap have created the duo known as "OoN, a unique blend of fresh sounds at times meditative and peaceful at times passionate, raging and distorted; always ...

The legendary Pete Seeger left us this week, leaving behind an amazing legacy of music and activism. " Dubbed "America's tuning fork" by poet Carl Sandburg, the banjo-player left behind folk classics like "Where Have All the Flowers Gone," "If I Had a Hammer," "Turn! Turn! Turn!" and "We Shall Overcome." Many will associate him with the 1960s, a decade of profound social and political change, when young Americans took to the streets to condemn the Vietnam war and demand civil rights for all races…" I was fortunate to work with him once, for a performance for WETA in Virginia back in 2000, when Seeger was a mere 81 years old. For this performance, Seeger was joined by his grandson Tao Rodriguez-Seeger; a very popular duo in those days. Seeger entered the theater early afternoon, perhaps a little slower and older, yet remarkably energetic. I offered him a beer, a tour of the theater; and he gladly accepted. I reminded him th...

One of the greatest bass players on the planet, the Liberian/German expatriate Kai Eckhardt, has made his home in Berkeley, after thrilling audiences around the world. His resume features a veritable who's who of the fantastic jazz and world musicians; guitarist John McLaughlin, drummer Billy Cobham, percussionist Trilok Gurtu, Stanley Clarke, Wayne Shorter, Patrice Rushen, Dewey Redman, Donald Byrd, Bela Fleck, Victor Wooten and his band Garaj Mahal, to name but a few. Eckhardt's latest album "Zeitgeist", is jazzy blend of funk, Indian ragas and straight-up, butt-kicking electric jazz. Eckhardt's band in fact released his new album at Yoshi's in Oakland a few weeks ago. For that performance, Eckhardt enlisted Baltimore's Dana Hawkins on drums, Australia's Chris Robinson on electric guitar and the North African keyboardist, Osam Ezzeldin. If you missed it, you can download it via his website . Early fans of Eckhardt's will no doubt recall his...

Lately, I've been enjoying a variety of guitar, bass and drum trios, and one of my favorites is bassist Hansford Rowe's "HR3". This is a tasty trio based in Montreal, featuring two younger players, (guitarist Julien Sandiford and Max Lazich), who seem a little wise beyond their years. With HR3, Rowe has a gentle, yet wonderfully wicked sound; 'Scooby Goes to School", and the energetic "Voix Aciennes" are among my personal favorites. HR3's website describes the group as "A wounded road warrior meets two young bucks. Together they confront the beast…." You can’t create without destroying – that doesn’t mean scorched earth is HR3’s method. They kill you softly. They take you under slowly giving you time to visit musical subtleties along the way that require a moment. Bassist Hansford Rowe has scorched with quite a variety of characters along the rocky road; guitarists for example - Allan Holdsworth, Biréli Lagrène, Mike Oldfield, David Fi...

There have been some exciting to come through San Francisco in 2013; too many to name in this space in fact. Sadly, we've also lost many musical greats, and yet we continue to see and hear some new music emerge, thrilling audiences worldwide, and making spirits dance. Here's a list of some of my personal favorites and musical moments... 10. SFJazz Center Opens San Francisco's newest venue, located on Franklin near City Hall, is the SFJazz Center which opened on January 23rd with "a star-filled line up “consecrating” the stage of the Robert N. Miner Auditorium." Hosted by Bill Cosby, the concert included pianists McCoy Tyner and Chick Corea, saxophonist and long time SFJazz Collective alum Joshua Redman, legendary vibraphonist Bobby Hutcherson, Esperanza Spalding, Mary Stallings, John Handy, Pete Escovedo, the SFJazz Collective, and the new SFJazz Center Resident Artistic Directors Regina Carter, Bill Frisell, Jason Moran, John Santos and Miguel Zenón among...

Back in 2006, Chesky Records released "Electric", "a blistering set of jazz, blues and classic rock anthems as performed by the pioneer of jazz-rock, Larry Coryell, with veteran 'Return to Forever' drummer Lenny White and former 'Weather Report' bass player Victor Bailey". "Coryell and friends have an all-out blast working their way through a track listing of rock and blues tunes, bending and stretching covers of well-known cuts popularized by Led Zeppelin (Black Dog), and Sly and the Family Stone (Sex Machine), as well as Miles Davis' "So What" (from his seminal Kind of Blue album) and Wayne Shorter's "Footprints" into a rockin' musical adventure. "We tried to straddle the lines between 'jazz', 'rock', 'funk' and 'fusion' and whatever other names people want to put on music," comments Bailey…" This amazing trio would go on to record another album in 2006, "Traff...