E. Doctor Smith's Blog

Max Roach, the master percussionist whose rhythmic innovations and improvisations defined bebop jazz during a wide-ranging career where he collaborated with artists from Duke Ellington to rapper Fab Five Freddy, has died after a long illness. He was 83. The self-taught musical prodigy died Wednesday night at an undisclosed hospital in Manhattan, said Cem Kurosman, spokesman for Blue Note Records, one of Roach's labels. No additional details were available, he said Thursday. Roach received his first musical break at age 16, filling in for three nights in 1940 when Ellington's drummer fell ill. Roach's performance led him to the legendary Minton's Playhouse in Harlem, where he joined luminaries Charlie Parker and Dizzy Gillespie in the burgeoning bebop movement. In 1944, Roach joined Gillespie and Coleman Hawkins in one of the first bebop recording sessions. What distinguished Roach from other drummers were his fast hands and ability to simultaneously maintain

Growing up in Washington, D.C., I first saw Billy Cobham with guitar virtuoso John McLaughlin and his ground breaking Mahavishnu Orchestra at American University in 1972. After that unbelievable show, Cobham soon became my favorite drummer... He still is. Considered by many to be one of the greatest drummers of all time, Billy Cobham's prolific career has spanned several decades; from his earliest works with pianist Horace Silver and trumpeter Miles Davis; the Mahavishnu Orchestra, Ron Carter, Randy and Michael Brecker, John Scofield, George Duke, Dexter Gordon and Stan Getz; his work with the Grateful Dead's Bob Weir and the Dead-inspired "Jazz is Dead"; and last but not least, his many and varied ensembles, from his steel drum-flavored Culture Mix, to his most recent, latin inspired group, Asere. Cobham's incredible rudimentary skills were second to none; I'd personally seen him over thirty times, and his massive frame and joyous playing will le

One of my favorite songs, is a piece entitled "Balatho", written by the brilliant Indian percussionist Trilok Gurtu during his tenure with the jazz group Oregon. (I loved "Balatho" so much, that I even played and recorded it with my own group!) A master tabla player as well as trap set drummer, Gurtu has re-recorded this wonderful song on a new CD with Arkè String Quartet called simply, "Arkeology". This latest version is perhaps the best yet, with Gurtu as the only improvising soloist in the ensemble, (on his famed staccato ragas and vocals as well as a multitude of instruments), and contributed three of the ten compositions. The quartet of Carlo Cantini – Violin, Dilruba, Recorder, Kalimba; Valentino Corvino – Violin; Sandro Di Paolo – Viola; and Stefano Dall’Ora– Doublebass, Ukelele, Emincence Bass/Aptflex, contributed the rest. The reviewer John Fordam wrote, "The Arkè String Quartet have shrewdly and musically lent an ear to a lot of