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Showing posts from May, 2014

Building the Hybrid Acoustic-Electronic Kit

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After completing the work on my Indian Subsonic Bass Sound Kit , and refining my technique on the Zendrum EXP , it was time to turn my attention to my latest project: building an acoustic-electronic hybrid drum kit, based on the kits of Billy Cobham. I'd been a fan of Cobham since the early '70s and learned to play using his "open-handed" technique via my teacher, drummer Paul Sears. My first kit was actually a 6 piece, double bass drum, Ludwig clear Vistalite kit that my Mom helped me buy back in '75 from the now defunct Veneman's Music store in Silver Spring, Maryland. As soon as I'd saved up enough money, I went to Chuck Levin's, aka Washington Music Center in nearby Wheaton to buy two more rack toms and another floor tom to create a replica of Cobham's clear Fibes set with the Mahavishnu Orchestra. I eventually sold that kit, traveled to Europe in '77, and after I returned to the States, I bought an identical Gretsch kit, thanks to my D

Billy Cobham's "Tales from the Skeleton Coast"

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Today marks the 70th birthday of one of the greatest drummers of this, or any generation; the remarkable Billy Cobham. From his earliest recordings with Horace Silver, Miles Davis and Milt Jackson, to his scintillating and seminal work with John McLaughlin's Mahavishnu Orchestra, keyboardist George Duke, and his own groups, like Culture Mix, Asere and the Spectrum 40; Cobham has thrilled audiences around the world by bringing his incomparable talents as a composer, drummer, and producer to the forefront of jazz, rock, fusion and world music. His latest effort is the eagerly awaited "Tales from the Skeleton Coast", part 3 of a series dedicated to his Panamanian parents. "Ever since his breakthrough in the early 1970’s, as a founding member of the Mahavishnu Orchestra and as a drummer/band leader whose recordings such as Spectrum, with a powerful, complex style of play exerted a strong influence on the course of jazz and jazz-fusion, Billy Cobham has remai

Mark Egan's “About”

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Bassist Mark Egan is a well known commodity in the world of jazz, and first came to my attention in those halcyon days with guitarist Pat Matheny’s earliest group, featuring keyboardist Lyle Mays and drummer Danny Gottlieb. Egan returns anew with his longtime bandmate Gottlieb and keyboardist Mitchel Forman, (last seen at Yoshi’s in SF, backing up vocalist Sussan Deyhim), and well known for their work with the legendary guitarist John McLaughlin. “About Now” is is Egan’s latest effort on the Wavetone Record label, and another fine addition to his ever growing catalog. Abstract Logix describes the new album, stating that “Over the past 30 years, Mark Egan’s ability to groove, perfectly complement the music in any situation and solo expressively has made him one of the most in-demand bass players on the international music scene. While racking up credits with the likes of the Pat Metheny Group, saxophonists Steve Grossman, Dave Liebman, Stan Getz, Sonny Fortune and Bill Evans, vocalist M