E. Doctor Smith's Blog

My previous blog looked at my journey from my original percussion controller, the "Drummstick", to the newest Zendrum, the "EXP". When the Zendrum EXP finally arrived, I was ecstatic, especially after having seen early photos of it posted on my facebook page. I'd already set up all of my studio gear in advance and when I was in Europe, I downloaded a copy of the updated ZenEdit, and even mapped out the EXP's trigger placements. I quickly learned that I actually needed to be more flexible, because those early set-ups didn't last very long! Everything worked great; even my wireless MIDIJet Pro performed perfectly. I'd used the settings from my Zendrum ZX as a starting point, and they translated to the EXP quite easily. One of the first things I noticed was the wonderful placement of the strap locks for me by David Haney. Haney knows my penchant for playing vertically, and on the model he made for co-designer John Emrich, the lock seemed to be placed l

I was in Europe when "Man of Steel", the latest update to the Superman was released. I'm a long time comic book fan of both the DC and  Marvel superheroes, and after recovering from jet lag, I finally managed to catch it. As regular readers of my columns know, I have a thing about remakes, especially when it comes to comic book heroes. The biggest challenge these film makers have is to make those classic stories relevant, to find a new way to retell those iconic tales with each new generation; and without sacrificing the things about them that made them great. With the exception of the gratuitous, CGI destruction of Metropolis during the last 30 minutes, this is perhaps, one of the best of the Superman films or TV series made to date. Now I've seen every single film and TV series ever made about the Man of Steel, so I will share my thoughts about each of them, and why I think this latest version ranks among the best. I'm afraid I'll have to leave the animated

Every year, the Outsound New Music Summit showcases some of the most innovative and pioneering new music that is happening in California and beyond. Many of the artists scheduled to perform on the 2013 12th Annual Outsound New Music Summit (left to right Opera Wolf, Kevin Robinsons from KREation, Jordan Glenn's Wiener Kids, #Max, Fernando Lopez-Lezcano, Joe Lasqo, Ritwik Banerjir, Ilya Rostovtsev, The CCRMA Ensemble, Matt Davignon, Fuzzybunny, Hasan Abdur-Razzaq, David Molina's Transient, LA Jenkins, Rent Romus' Lords of Outland, India Cooke, Karl Evangelista, Lewis Jordan, Kyle Bruckman's Wrack). Now in its twelfth year, the New Music Summit will feature during cutting-edge experimental and ambient music, twitter-fed performances, improvising software musicbots, electro-acoustic performances, found-object and tape-player interactions, as well as traditional instrument ensembles bending the acoustic paradigm in new and startling ways. Featured during the seven-night fes

On Tuesday, we left the chillier confines of "merry olde" England and arrived in warm, and sunny Lisbon, Portugal. I was reunited with a long-time musical ally, the Angolan-born, Brazilian raised Carlos Martins. Carlos was an excellent host, and showed us a side of Lisbon not seen by most tourists. Lisbon was surprisingly buoyant; the kids were out of school and the plazas were full of energy and life. The tiny, aged cobblestone streets are a bit slippery, but with an eye towards caution, we'll manage. Lisbon has been called the San Francisco of Europe; it has its own version of the Golden Gate Bridge, the hills and the cable car trolleys are a lot like home, and the monuments to the earthquake of 1755 is a a sombre reminder of the volatile nature of this region. Our first stop was a lovely, outdoor restaurant high atop Lisbon called "Lost in Espalnada"; great views, great food and a colorful atmosphere, I highly recommend you make it one of your stops if you vi