E. Doctor Smith's Blog

I first saw the duo of British drummer Bill Bruford and Swiss keyboardist Patrick Moraz in 1982, at New York City's now defunct Bottom Line, and later in 1983, at D.C.'s now defunct Bayou. Bruford and Moraz had released two albums, the acoustic "Music for Piano and Drums", and the electronic "Flags". Consequently, these recordings and others have been reissued on Bruford's new record labels: Summerfold and Winterfold. Now, on this new CD, "Every Step A Dance, Every Word A Song", and a DVD titled "In Concert In Holland", Bruford this time teams up with Dutch keyboard master Michiel Borstlap, in duets culled from their 2003-2004 European tour. Although the duo's efforts are rooted in jazz, there are hints of the progressive-rock/New Age flavor of "Flags", where Borstlap employs synthesizer for choruses and textures, and Bruford's well known polyrhythmic beats and syncopations that propel this beautiful musi

...And I can still vividly recall that night, on my way home, up Broadway, past the commotion on 72nd Street, and arriving to hear the news from friends visiting from DC, "Did you hear the news?! John Lennon was shot dead tonight!" We gathered around the radio, listening to WNEW, watching the scene on TV outside the Dakota in disbelief. John Lennon had been shot four times in the back, by the deranged Mark Chapman, who had asked the former Beatle for his autograph only hours before he laid in wait and killed him. Chapman had actually met Lennon earlier as he left for a recording studio and got his copy of Lennon's Double Fantasy autographed, the image of Lennon signing one of his last autographs was actually caught by a photographer who witnessed it. Chapman remained in the vicinity of The Dakota for most of the day as a fireworks demonstration in nearby Central Park distracted Lennon's doorman and passers-by. Later that evening, Lennon and Ono returned t

One of my all time favorites, friend and mentor, the legendary vocalist Shirley Horn, passed away last week at the age of 71. Despite a long bout with diabetes, and the loss of a leg, Horn continued to perform up until the end. Her last album, "May the Music Never End", provided us once more with a masterpiece that is just as timeless and inimitable as she was. The self-produced CD confirmed what many musicians have been saying about the Grammy award winner for years: she was indeed one of the finest vocalists in jazz music history. With an exclusive fan base that includes Barbara Streisand, Barry Manilow and opera soprano Renee Fleming, the Miles Davis protege relied only on the magic of her voice in this historical recording. For the first time in her flawless career, because of health concerns, Horn performed without her piano. Instead she permitted her long-time protege George Masterhazy and the veteran Ahmad Jamal to carry out the album's seamless piano

I last saw the famed Dr. Robert Moog, at the 117th AES Convention in October, posing with my friends from the Women's Audio Mission. Known for the synthesizer that bears his name, the electronic keyboard genius died at his home in Asheville, North Carolina on Sunday. He was 71. Moog was the inventor of the Moog synthesizer - whose variants have been used by everyone from Pink Floyd to Kraftwerk, Duran Duran, the Black Eyed Peas and the Neptunes - was diagnosed with inoperable brain cancer in April and had received radiation therapy and chemotherapy to combat the disease, according to a post on his official Web site. Born on May 23, 1934 in New York, Moog began tinkering with early versions of electronic instruments as a teenager. After writing an article about them in 1954, he opened a business building and selling theremins, machines in which pitch and volume could be controlled by the wave of a musicians' hand. Moog earned degrees in physics, electrical engineeri

Having had the pleasure of seeing all three of these stellar musicians in many of their previous incarnations, I am genuinely looking forward to this late-summer tour. I have already gotten rave reviews of their east coast shows in Washington and Vermont. Trio! brings together the musical talents of the prodigious Stanley Clarke on bass, banjo virtuoso Bela Fleck, and the incredible French violinist Jean-Luc Ponty in a stunning genre-crossing collaboration. All three musicians are world renowned, critically acclaimed and award-winning performers and collaborators and this joint venture is an exciting exploration of their collective musical backgrounds. Stanley Clarke has many titles: bassist, composer, conductor, orchestrator, arranger, songwriter, producer, and recording artist. In a career that has spanned more than thirty years, he has explored new territory and redefined the role of the bass as more than just a rhythm instrument. He invented the piccolo and tenor bass

"There is an ancient, ancient myth that is very, very cool," once revealed the musician-inventor-scientist-composer known as Futureman. For over ten years the eccentric percussionist has been touring with the jazz-bluegrass-fusion quartet Bela Fleck and the Flecktones. Born under the name of Roy Wooten (his typically bizarre bio says he arrived on this planet on Oct. 30, 2050), Futureman provides the offbeat beats for one of the music world's most unconventional ensembles. After a Grammy win for best jazz recording, Bela Fleck and the Flecktones have been riding a new peak of success on a wave that started with their formation over 10 years ago. "What this ancient myth says is this," Futureman once explained to interviewer David Templeton, "If you stand before a statue and play perfect golden ratios, you will bring the statue to life. Now, myth is a mirror we hold up to ourselves, to show us an archetypal principle. "So what I want to know

Those fortunate enough to see the world renowned banjoist, Bela Fleck and his Flecktones, (most recently at the Fillmore, and earlier at the Warfield), may be disappointed to learn that the band won't be touring again until 2006. They won't be sitting idle however, as each member will be embarking on a variety of projects including Fleck joining jazz legends, bassist Stanley Clarke and violinist Jean Luc Ponty in a group known simply as "Trio". It's been said, that the one thoroughly American art form of jazz, is comprised of a "blend between the meeting of African and European influences and aesthetics. Spirituals, blues and work songs meld with Bach, Beethoven and Brahms, as well as the rougher forms of European folk music: an authentic sonic Democracy". It's no wonder the result has been endlessly modified and personalized in the music of the Flecktones. Improvisation seems to also present an irresistible welcoming quality, a virtual